You’ll slip past long lines at the Louvre with just five other travelers, guided by an art historian who brings masterpieces like the Mona Lisa and Venus de Milo to life. There’s time for questions, quiet moments by famous works, and stories you won’t find on plaques. The small group makes it feel personal—more like wandering with friends than being herded through a museum.
The tour is limited to a maximum of six guests per group.
Yes, skip-the-line group entry is included with your booking.
You’ll see the Mona Lisa, Venus de Milo, Winged Victory of Samothrace, Liberty Leading the People, Coronation of Napoleon, Raft of the Medusa, and more.
You’ll meet your guide just outside the Louvre; exact details are provided after booking.
No, unfortunately this tour is not wheelchair accessible.
Louvre entry tickets are included: €32 for non-EEA visitors or €22 for EEA visitors (with valid ID).
The guided portion lasts approximately two hours.
Yes; admission is free for visitors under 18 or EEA residents under 26 (with valid ID).
Your day includes skip-the-line entry tickets to the Louvre (with price based on nationality), an expert English-speaking art historian as your guide, viewings of masterpieces like the Mona Lisa and Venus de Milo, plus plenty of time for questions—all shared with just five other travelers before you head back out into Paris on your own.
I felt a weird mix of nerves and excitement waiting outside the Louvre—like I was about to sneak into somewhere I didn’t quite belong. Our guide, Camille, spotted us right away (I guess six people isn’t hard to keep track of) and handed out our entry tickets with this quick grin. She joked about how Parisians complain about the rain but secretly love it because it keeps the crowds away. It was drizzling, so maybe that was true. Either way, we skipped the huge line, which honestly felt like a minor miracle.
The first thing that hit me inside wasn’t even the art—it was this faint old-stone smell and the echo of footsteps on marble. Camille led us past these giant statues (the Winged Victory really does look like she’s about to take off), and every so often she’d pause for questions or just let us stand there quietly. Someone in our group tried to pronounce “Samothrace” and totally butchered it; Camille laughed and said even locals mess it up. I liked that she didn’t rush us—there was space to breathe, which you don’t always get in museums.
Standing in front of the Mona Lisa was…strange? She’s smaller than you expect, and there’s this low hum from everyone trying to get their photo. Camille told us about her 1911 theft—apparently Paris went wild looking for her—and somehow that made her feel more real. We moved on through rooms full of gold frames and velvet ropes; at one point I caught this whiff of old varnish mixed with someone’s perfume. The stories behind Delacroix’s Liberty Leading the People stuck with me—I still think about that painting sometimes when I see news footage from protests.
By the time we reached Michelangelo’s sculptures, my feet were tired but my brain was buzzing with all these images and half-remembered facts. We said goodbye near a window overlooking the Seine; Camille waved us off with a quick “bon courage” for tackling Paris on our own again. It wasn’t perfect—my phone died halfway through—but honestly, I wouldn’t have changed much.

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