You’ll step into four immersive digital art galleries at Frameless Lates in London, with exclusive after-hours entry and new works from UK artists. Sip creative cocktails as you wander through ever-shifting masterpieces by Van Gogh and Hokusai, set to live soundtracks. It’s relaxed, surprising—and you might find yourself lingering longer than you planned.
No, Frameless Lates is only for guests aged 18 and over.
The experience includes digital works inspired by artists like Van Gogh and Hokusai.
No, drinks such as cocktails from the Café Bar are available for purchase separately.
Yes, you get exclusive access to new residencies from up-and-coming UK digital artists.
Yes, the venue is fully wheelchair accessible including transportation options nearby.
Your ticket includes access to all four permanent immersive galleries.
Yes, there are public transportation options nearby the venue.
Your evening includes admission to Frameless Lates with access to all four immersive digital art galleries plus any current new artist residencies—drinks are available for purchase on site if you want something from the bar before heading back out into London’s night.
I didn’t expect to lose track of time in a gallery, but that’s what happened at Frameless Lates in London. We’d barely stepped inside when the walls started moving—Van Gogh’s sunflowers swirling right past my shoulder, Hokusai’s waves rolling across the floor. The whole place smelled faintly like citrus and something sweet from the bar (I think it was the gin fizz everyone kept ordering). People were laughing softly, just wandering between rooms, faces lit up by all that color. It felt nothing like a regular museum night—more like being inside someone else’s dream.
Our tickets got us into all four galleries (they check at the door but it’s quick), and there were a few new digital pieces from UK artists I hadn’t heard of. One room was so quiet except for this low bass rumble—someone said it was Soho Radio doing the soundtrack. I remember standing there with my friend Li, both of us just staring at these impossible brushstrokes that kept changing every time we blinked. She tried to explain one of the projections to me but gave up halfway through and we just laughed. Sometimes you don’t need words for this stuff.
The staff were easygoing about everything—even when I nearly spilled my drink trying to take a photo (sorry again). It was mostly locals and a few tourists; everyone seemed happy to just hang out and soak it in. By midnight, we were still there, not really wanting to leave yet. I still think about how strange and good it felt walking out onto the street after all that light and sound—like London itself had gotten brighter somehow.

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